Jeff Winger is a hotshot lawyer whose career has been brought to a  screeching halt due to the slight problem of his qualifications being  non-existent. He has to attend Greendale Community College for four  years and pass a series of tests to regain his law credentials. An  attempt to seduce a fellow student, Britta, by inviting her to a  fictitious study group spirals out of control, resulting in the creation  of a real study group. As the group goes through the school year, they  learn and grow together. And also inadvertently create a  copyright-infringing school anthem, give the college a guy in a gimp  suit as its mascot and then almost destroy the place in a titanic  paintball game that goes horrendously awry.
Community is  entering its fourth season in the USA, but may be one of the best-kept  secrets on television. Airing to mediocre ratings in the States and  having almost no profile at all in the UK, it's nevertheless a funny,  confident show which acts as both an obvious comedy and also something  of a commentary on social dynamics and pop culture. The 'community' of  the title is a reference to the central characters, who are all outcasts  of one type of another, and their bonding together, and also to the  wider college around them, personified through a recurring cast of  tutors and other students.
Early episodes are mostly spent  with the show trying to avoid cliches, with the character of Abed  (Danny Pudi) always ready to compare an episode's storyline to something  he saw on Friends or M*A*S*H*. This constant  meta-commentary and attempts at ironic post-post-modernism are amusing  but also slightly tiresome, with the show occasionally feeling a little  smug with itself or else flailing at trying not to be caught between  cliches. However, it's not long before the writers stop caring about  that (at least quite so much) and instead concentrate on having fun. Community melds both the characters and the situations they encounter into  compelling storylines that feel a lot longer than their modest 22  minutes-per-episode run times would suggest.
The actors  are all excellent in their roles, particularly Joel McHale as Jeff, who  has to make an inherently unlikable character likable without weakening  the character, which he just about manages to do. The aforementioned  Pudi is also great at portraying a character who initially appears to be  the most predictable of the group but rapidly develops some interesting  depths. Donald Glover takes the initially dull character of Troy and  rapidly (by the end of episode two and its iconic Spanish rap number)  turns him into a highlight of the show, thanks to some great comic  timing. Yvette Nicole Brown's Shirley initially appears to be the  'mother' figure of the show, but some revelations about her personal  life and gossipping tendencies turn that on its head. There's also a  glorious cynicism about the character of Pearce (played by Chevy Chase,  enjoying a career resurgence), a casually sexist and racist old man  whose role in the group appears to primarily be making the other  characters feel good about themselves. Alison Brie and Gillian Jacobs  round off the primary cast as Annie and Britta, who initially both seem  fairly straightforward characters before gaining more layers as the  season progresses.
Slightly less successful are the  supporting characters, most notably Ken Jeong as 'Senor' Chang whose  character is rather broad (more effectively in some episodes than  others) and Jim Rash as the Dean, who random weirdness (he has a sexual  predilection for people in dalmatian costumes) is wearying. Still, both  have their strong moments as the season progresses.
After  the first few, slightly more pedestrian episodes, the season takes an  upward turn in quality, culminating in the now-legendary paintball  episode, Modern Warfare, when the show's ingredients combine  together to create something hilarious, mildly emotional and completely  demented, leaving the viewer eager to see what the writers and cast can  do in the second year.
Season 1 of Community (****½)  is well-written, sharply-acted and finely-observed, with more going on  under the hood than you might expect from a situation comedy. The show  is available now in the UK and USA.

 
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