Tampilkan postingan dengan label Denmark. Tampilkan semua postingan
Tampilkan postingan dengan label Denmark. Tampilkan semua postingan

Sabtu, 01 Februari 2014

67th Bodil Awards Award Winners

Today the Danish Film Critics group had their award ceremony and can't deny that I'm very pleased with what the group honored as top awards went to The Hunt and Nymphomaniac.

Winners are in *BLUE. To check winners at official site go here, available only in Danish.
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1/8/14
Recently the Filmmedarbejderforeningens (Denmark's National Association of Film Critics) announced their nominations for this major Danish film awards and not surprisingly Jagten by Thomas Vinterberg and Nymphomaniac by Lars von Trier lead with six (6) nominations each. Definitively agree with Jacob Wendt, chairman Denmark's Film Critics Association, when he says that 2013 was a "dynamite" year for Danish cinema as was truly good but also very explosive!

Most interesting for me is to find who is honored with a nomination from the "star" crowded movie Nymphomaniac and yes it's kind of surprising to find Uma Thurman, Stacy Martin (first time acting) and Jamie Bell, while is NO surprise to find Charlotte Gainsbourg and Stellan Skarsgård.  Have no doubt when I say that from 2013 the best Danish movie (and one of the best world cinema) is Jagten.

Best Feature
*Jagten (The Hunt), Thomas Vinterberg
Nymphomaniac, Lars von Trier
Sorg og glæde (Sorrow and Joy), Nils Malmros
Nordvest (Northwest), Michael Noer
Kvinden i buret (The Keeper of Lost Causes), Mikkel Nørgaard

Best Actress
Sofie Gråbøl in I Lossens time (The Hour of the Lynx)
*Charlotte Gainsbourg in Nymphomaniac
Stacy Martin in for Nymphomaniac
Helle Fagralid in Sorg og Glæde (Sorrow and Joy )

Best Supporting Actress
Anne-Louise Hassing in Jagten (The Hunt)
*Susse Wold in Jagten (The Hunt)
Kristin Scott Thomas in for Only God Forgives
Uma Thurman in for Nymphomaniac
Sonja Richter in Kvinden i Buret (The Keeper of Lost Causes)

Best Actor
Jacob Cedergren in Sorg og glæde (Sorrow and Joy)
*Mads Mikkelsen in Jagten (The Hunt)
Nicolas Bro in Spies & Glistrup (Sex, Drugs & Taxation)
Gustav Dyekær Giese in Nordvest (Northwest)
Stellan Skarsgård in Nymphomaniac

Best Supporting Actor
*Roland Møller in Nordvest (Northwest)
Lars Ranthe in Jagten (The Hunt)
Thomas Bo Larsen in Jagten T(he Hunt)
Jamie Bell in Nymphomaniac
Fares Fares in Kvinden i Buret (The Keeper of Lost Causes)

Best Documentary
Blodets Bånd (Blood Ties), Pernille Bervald Jørgensen and Christian Sønderby Jepsen
Sepideh, Berit Madsen
*Ai Weiwei: The Fake Case, Andreas Johnsen

Best Non-US Feature
The Paradise Trilogy (Paradise: Love, Paradise: Faith and Paradise: Hope), Ulrich Seidl, Austria
The Broken Circle Breakdown, Felix van Groeningen, Belgium
The Great Beauty, Paolo Sorrentino, Italy
*Blue Is the Warmest Color, Abdellatif Kechiche, France
Rust & Bone, Jacques Audiard, France

Best US Feature
Before Midnight, Richard Linklater
Django Unchained, Quentin Tarantino
Frances Ha, Noah Baumbach
Gravity, Alfonso Cuarón
*Beasts of the Southern Wild, Benh Zeitlin

Awards ceremony will be on February 1st at Bremen Theatre hosted by Troels Lyby; also Jesper Langberg will receive an honorary Bodil in 2014. To read nominations at official site go here. Can't help but share here the infamous poster that made the film critics group very well-known this year around the world when they "copied" Nymphomaniac posters with their own members.

Minggu, 26 Januari 2014

2014 Robert Awards Winners

Today the Danish Academy had the awards ceremony and as I was hoping great The Hunt was the BIG winner of the night. The Hunt is such an exceptional film that I'm concern other great movies will prevail in Oscar, but definitively it is my favorite Danish movie of 2013, even do was in 2012 Cannes.

By the way what is happening to The Hunt and Oscar is what could happen next year if France sends Blue is the Warmest Color to Oscar, the momentum is lost and other movies have their 15 minutes of fame, no matter if they deserve it or not.

Winners are in *BLUE. To check winners in all categories go official site.

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1/9/14
2012 was an outstanding year for Danish cinema and a movie produced in that year that was released in 2013 made it another outstanding year for this great cinema; I'm talking about The Hunt that leads the Bodils race and also the Robert's race as got fourteen (14) nominations. Also with 14 nods Mikkel Nørgaard’s The Keeper of Lost Causes following close by Christoffer Boe’s Sex, Drugs & Taxation with 13 and Michael Noer’s Northwest with 11.

Already infamous Lars von Trier's Nymphomaniac was seen by critics but does not qualify for this year awards, so we will have to wait until next year to see if gets some local recognition from the Danish Academy. As we know Part 1 will be world-premiered at the Berlinale and early buzz claims that part 2 will go to Cannes, but maybe not as film will have its release in USA via VOD before it opens in theaters and before Cannes.

These are the nominees' that the Danmarks Film Akademi announced today.

Best Film
*Jagten (The Hunt)
Kvinden I Buret (The Keeper of Lost Causes)
Nordvest (Northwest)
Sorg og glæde (Sorrow and Joy)
Spies & Glistrup (Sex, Drugs & Taxation)

Best Feature for Children and Youth Audiences
*Antboy
MGP Missionen (The Contest - To the Stars and Back)
Olsen Banden på dybt vand (The Olsen Gang in Deep Trouble)
Otto er et næsehorn (Otto the Rhino)

Best Director
Michael Noer for Nordvest (Northwest)
Mikkel Nørgaard for Kvinden I Buret (The Keeper of Lost Causes)
Nicolas Winding Refn for Only God Forgives
Nils Malmros for Sorg og glæde (Sorrow and Joy)
*Thomas Vinterberg for Jagten (The Hunt)

Best Actress
*Helle Fagralid for Sorg og glæde (Sorrow and Joy)
Kristin Scott Thomas for Only God Forgives
Lene Maria Christensen for Nordvest (Northwest)
Sofie Gråbøl for I Lossens Time (The Hour of the Lynx)
Sonja Richter for Kvinden I Buret (The Keeper of Lost Causes)

Best Actor
Gustav Dyekjær Giese for Nordvest (Northwest)
Jakob Cedergren for Sorg og glæde (Sorrow and Joy)
*Mads Mikkelsen for Jagten (The Hunt)
Nikolaj Lie Kaas for Kvinden I Buret (The Keeper of Lost Causes)
Pilou Asbæk for Spies & Glistrup (Sex Drugs & Taxation)

Best Original Screenplay
Nikolaj Arcel for Kvinden I Buret (The Keeper of Lost Causes)
Nils Malmros and John Mogensen for Sorg og glæde (Sorrow and Joy)
Rasmus Heisterberg and Michael Noer for Nordvest (Northwest)
Simon Pasternak and Christoffer Boe for Spies & Glistrup (Sex Drugs & Taxation)
*Thomas Vinterberg and Tobias Lindholm for Jagten (The Hunt)

Best US Feature
Captain Phillips, Paul Greengrass
Before Midnight, Richard Linklater
Django Unchained, Quentin Tarantino
*Gravity, Alfonso Cuarón
Silver Linings Playbook, David O. Russel

Best Non-US Feature
*Blue Is the Warmest Color, Abdellatif Kechiche, France
The Great Beauty, Paolo Sorrentino, Italy
Philomena, Stephen Frears, UK
Rush, Ron Howard, UK
Rust and Bone, Jacques Audiard, France

To check nominees in all categories go here, available only in Danish or here for English. I'm so glad that Nicolas Winding Refn got recognition for Only God Forgives as was feeling that I was the only one that liked/enjoyed the movie that absolutely makes you recall Gaspar Noé style. Not to bore you reader but you already know that my one of my favorite 2013 films is here, The Hunt, and Best Actor HAS to go to Mads.

Minggu, 17 Maret 2013

66th Bodil Award Winners

Yesterday Filmmedarbejderforeningens had their award ceremony with awards spread out over several films.

Big winner is Kaprigen (A Hijacking) a good mainstream entertaining film that at times can be thrilling, but in general for me is a drama that deals more with corporate behavior (good and bad) than about human behavior. Still I do recommend you watch it as is as entertaining as Arcel's A Royal Affair.

The Audience Award went to Hvidsten Gruppen by Anne-Grethe Bjarup Riis.

Winners are in *BLUE. To read official announcement go here or here, available only in Danish.

1/3/13
Today Filmmedarbejderforeningens (Denmark's National Association of Film Critics) announced their nominations for these major Danish film awards and not surprisingly Nicolaj Arcel's En Kongelig Affære (A Royal Affair) leads with 6 nominations; perhaps the most interesting fact is the Best Actor category that has two brothers in competition for the award, Mads and Lars Mikkelsen.

These are the nominations.

Best Danish film
10 timer til Paradis (Teddy Bear), Mads Matthiesen
En kongelig affære (A Royal Affair), Nicolaj Arcel
*Kapringen (A Hijacking), Tobias Lindholm
Undskyld jeg forstyrrer, Henrik Ruben Genz
You and Me Forever, Kaspar Munk

Best Actress
Julie Brohorst Andersen in You and Me Forever
Trine Dyrholm in Den skaldede frisør (Love Is All You Need)
*Sara Hjort Ditlevsen in Undskyld jeg forstyrrer
Bodil Jørgensen in Hvidsten Gruppen (This Life)
Alicia Vikander in En kongelig affære (A Royal Affair)

Best Supporting Actress
*Fred Dahl Hansen in You and Me Forever
Emilie Claudius Kruse in You and Me Forever
Elsebeth Stentoft in 10 timer til Paradis (Teddy Bear)
Lotte Andersen in Undskyld jeg forstyrrer
Trine Dyrholm in En kongelig affære (A Royal Affair)

Best Actor
Mads Mikkelsen in En kongelig affære (A Royal Affair)
Søren Malling in Kapringen (A Hijacking)
*Mikkel Boe Følsgaard in En kongelig affære (A Royal Affair)
Pilou Asbæk in Kapringen (A Hijacking)
Lars Mikkelsen in Viceværten (A Caretaker's Tale)

Male Supporting Actor
Nicolas Bro in Undskyld jeg forstyrrer
Roland Mills in Kapringen (A Hijacking)
*Tommy Kenter in Marie Krøyer
Lars Boom in Max Pinlig på Roskilde
Thomas Gabrielsson in En kongelig affære (A Royal Affair)

Best Documentary
Ballerina, Maja Friis
White Black Boy, Camilla Magid
*Putins kys (Putin's Kiss), Lise Birk Pedersen
Lej en famille A/S (Rent a family), Kaspar Astrup Schröder
Kidd Life, Andreas Johnsen

Best Non-American film
*Amour, Michael Haneke
The Artist, Michel Hazanavicius
Shame, Steve McQueen
Searching for Sugar Man, Malik Bendjelloul
Holy Motors, Leos Carx

Best American film
We Need To Talk About Kevin, Lynne Ramsay
*Martha Marcy May Marlene, Sean Durkin
Moonrise Kingdom, Wes Anderson
Take Shelter, Jeff Nichols
The Descendants, Alexander Payne

The announcement was made via Twitter so it is not up yet at the official site, but to read news in Danish go here. The award ceremony will be hosted by Mikael Bertelsen on Saturday, March 16 at Bremen Theatre.

In case you wonder why excellent Jagten (The Hunt) by Thomas Vinterberg has no nominations mainly is because it hasn't been released in Denmark; film is scheduled to be released on January 10, 2013. What really surprises me is that Susanne Bier's Den skaldede frisør (Love Is All You Need) got only one nomination.

Minggu, 03 Maret 2013

Another Winter Movie Bits

Winter is almost over so let's recall some of the movies I have seen during the cold season.

Infancia Clandestina (Clandestine Childhood), Benjamín Ávila, Argentina, Spain and Brazil
Known for his documentary Nietos (Identidad y Memorial) Avila debuts with his first feature film about a similar subject, the children in the troubled Argentinean days of the late 70's. As stated by Avila film story is not autobiographical even when he mixes some of his personal memories with fiction and tells story from a child point of view, which is very safe but becomes a lot less engaging for viewers as at moments becomes a melodrama about puppy love more than how to handle a double identity when you are so young. In this sense while watching story became very familiar for me and not unique as similar stories were told by films like 1988 Sidney Lumet's Running on Empty and 2000 Christian Petzold's Die innere Sicherheit (The State I Am In). The second is also Petzold's feature film debut and for a debut is a very engaging film and story, an opportunity that is lost in Avila's film perhaps because is not easy to objectively direct a film about what happened in your real life.

As we know was Argentina's submission to 2013 Oscar, an honor that perhaps was given more for the story film tells than for film's quality. Still stories like this one need to be told and people need to know them. Watch at your own risk but do not expect much from film specs and perhaps you will enjoy it more than me. Enjoy!  Trailer.


Las Malas Intenciones (The Bad Intentions), Rosario Garcia-Montero, Peru, Argentina and Germany
The debut feature film by Garcia-Montero that also has a story centered in a child and her view of everything that surrounds her in the critical and violent moments in Peru of the early 80's. This time the story is set in a wealthy family where the lonely young girl world collapses as her mother tells her she is going to have a sibling, which is the excuse to lightly explore Peru's conflicts. Not many stories have been told from this specific conflict, so there was a big opportunity for this film to excel at least for the story told, but no it did not as the little girl personal story overshadows everything else that is also told. Then you have the problem of not-so-good acting which makes film very hard to sustain watching.

Peru's submission to 2013 Oscar definitively has not the quality of films by more accomplished Peruvian directors like Claudia Llosa or Vega brothers outstanding films so suggest to watch at your own risk not expecting a great film and maybe you will enjoy it more than what I did. Sigh. Trailer.

Todos Tenemos Un Plan (Everybody Has a Plan), Ana Piterbarg, Argentina, Spain and Germany
Another debut feature film by Ana Piterbarg that unfortunately is not much amazing perhaps due to the lack of developed directorial skills as film starts very well both story wise and tech specs but around the middle film clearly lost direction after setting up some really interesting concepts that are abandoned for stretching a film too long without a clear direction to a much predictable end.

The best film has is that Viggo Mortensen performance looks great thanks to other actors really bad performances. Alright there is something else, Piterbarg style suggests that she will have a good future in filmmaking when her directorial skills improve. Enjoy.  Trailer.

Blancanieves, Pablo Berger, Spain
A very interesting take on classic Snow White tale as film is one of the most clearly Spain's values showcase that I have seen in ages, not only because is about bullfighting, has great music score (mostly Flamenco) but because is set in the 20's and has some great costumes. Also as film is black and white delights us with some very interesting use of light creating some outstanding to watch compositions. The silent film is an homage to German Expressionism which makes film very different to the "other" recent silent film and makes it a very artistic feast to the eyes. That's the good part.

On the not-great side, unfortunately some of the performances doesn't fit what you expect from a silent film nor recreates the fantastic performances in films of the German Expressionism era. For me performances are "too modern" with the occasional exceptions when the necessary silent film dramatic-exaggerated performance is present in scenes by Maribel Verdú. Still and considering modern performances is Macarena García who captured my attention and who I enjoyed most in film.

Spain's submission to 2013 Oscar was surely overshadowed by last year Best Picture Oscar winner but do not let this fool you as this is a movie that I strongly suggest you do not skip especially if you appreciate art in movies but somehow I know that due to the known tale very unconventional adaptation could please wider audiences that never imagined Snow White could be told as is told here. Enjoy!!! Trailer.

Hypnotisören (The Hypnotist), Lasse Hallström, Sweden
A great entertaining film that in my opinion represents well Nordic mainstream films as absolutely has the fantastic cold performances style, blueish/greyish look, slowish pace and a story that can easily capture your attention. But one word of advice, do NOT expect this film to be a Hollywood thriller as thankfully it is NOT.

My best reference is that if you enjoyed 2008 Tomas Alfredson's Låt den rätte komma in (Let the Right One In), 2006 Baltasar Kormákur's Mýrin (Jar City) and/or the original 2009 Niels Arden Oplev's Män som hatar kvinnor (The Girl with the Dragon Tattoo) then perhaps you will also enjoy this film that was Sweden submission to 2013 Oscar. Enjoy!! Trailer.

Den skaldede frisør (Love Is All You Need), Susanne Bier, Denmark, Sweden, Italy, France and Germany
Was expecting a less mainstream movie but movie is really mainstream cinema and perhaps the most crowd-pleaser/feel-good that Bier has done. Unfortunately and mainly due to casting but also because story, film makes you think about Mamma Mia! -without the songs- which somehow didn't help me to enjoy more film. Still film has some great Nordic style performances by Trine Dyrholm's as Ida and Paprika Steen as very unpleasant Benedikte; the only cast misfortune is Pierce Brosnan even when his performance is not bad, role should have been given to another good actor that hasn't star in a similar story high profile movie.

This romcom is nice to watch but please do not expect a Hollywood romcom as there is nothing American in this film, not the performances, not the storytelling style, not the humor, not the background drama, nor anything else. Film is an enjoyable entertaining moment that could please many that enjoy European cinema. Enjoy!! Trailer.

Cloclo (My Way), Florent-Emilio Siri, France and Belgium
Was more interesting in recalling the life of Claude François than watching film as a film, so you can say that my expectations were very low which was perfect as film as a film is not that good. Assume that this biopic will please many fans of the French pop singer but wonder if those not familiar with him and his brief life could enjoy film that much. Still Jérémie Renier performance is very acceptable as if not has the true looks has most of the mannerisms of Claude François, however is Benoît Magimel transformation what impressed me the most.

For those not familiar with the French singer (he was contemporary of Gilbert Bécaud, Johnny Hallyday and Frances Gall -all are in movie) perhaps knowing that he was the co creator of one of the most famous songs in the world, My Way that Paul Anka bought the rights, created new English lyrics and Frank Sinatra made it an international success. In this sense perhaps what film also has is an interesting take in how songs are translated into other languages to make local singers very popular in that language-speaking countries, sometimes overshadowing locally the success of the "original" song/singer and this story works BOTH ways here, from English to French and from French to English.

It is a very French film with a very French story that I am not sure non-French can enjoy, so my best suggestion is to watch Youtube video clips of the real Claude François before watching movie. Enjoy! Trailer.

The Paperboy, Lee Daniels, USA
With the mostly not positive reviews was expecting a film that I could not enjoy, but surprise, surprise film is truly "trashy" but highly enjoyable with one scene that I know will NOT forget, ever. This particular scene made me jump with a mix of disgust and incredibility as even when during the entire movie I really forgot I was watching Nicole Kidman in the screen, during this scene I couldn't help but seeing her doing a very sexually graphic scene (actually you see not much as almost everything is suggested) that yes, shocked me. Please do not allow me to confuse you, this is one the best Kidman's performances I have seen and one that everyone should see.

Know that film is not for everyone as is very violent, very sexually suggestive (not much is actually shown but it is suggested and makes your imagination flow into only one direction), highly homoerotic (again not much shown but suggested) and story is in one word, bizarre. But somehow Daniels take on the Pete Dexter award winner novel reminds me of Tarantino and bet you all that if Tarantino dared to tell this story, many will praise his work. Then you can't forget that Pedro Almodovar produced film which makes the Daniels-Almodovar collaboration very unconventional and yes, bizarre. Great.

I couldn't watch Daniels previous film as was too much for me, but this one strongly recommend you watch it; however prepare yourself for a sleazy/trashy very unconventional film. Enjoy!!! Trailer.

Have seen many more films but this is it for today. Cheers!

Kamis, 28 Februari 2013

2013 Robert Award Winners

Pulling up post as awards are in progress right now. Just a few minutes ago Amour by Michael Haneke won a Robert! Until this moment tech awards have gone mainly to A Royal Affair and A Hijacking.

Winners are in *BLUE. To learn winners in all film and TV categories go to official site.

Best Film
10 timer til Pardis (Teddy Bear), Mads Matthiesen
Den skaldede frisør (Love is All You Need), Susanne Bier
En kongelig affære (A Royal Affair), Nikolaj Arcel
*Kapringen (A Hijacking), Tobias Lindholm
Undskyld jeg forstyrrer (Excuse Me), Henrik Ruben Genz

Best Director
*Nikolaj Arcel for En kongelig affære (A Royal Affair)
Susanne Bier for Den skaldede frisør (Love is All You Need)
Tobias Lindholm for Kapringen (A Hijacking)
Kaspar Munk for You & Me Forever
Lotte Svendsen for Max pinlig på Roskilde

Best Actress (tie)
Alicia Vikander in En kongelig affære (A Royal Affair)
Birgitte Hjort Sørensen in Marie Krøyer
*Bodil Jørgensen in Hvidstengruppen (This is Life)
Sara Hjort in Undskyld jeg forstyrrer (Excuse Me)
*Trine Dyrholm in Den skaldede frisør (Love is All You Need)

Best Actor
Jens Jørn Spottag in Hvidstengruppen (This is Life)
Lars Mikkelsen in Viceværten (A Caretaker's Tale)
Mads Mikkelsen in En kongelig affære (A Royal Affair)
*Søren Malling in Kapringen (A Hijacking)
Søren Sætter-Lassen in Marie Krøyer

Winners in other categories

Best Supporting Actress: Trine Dyrholm in Den skaldede frisør (Love is All You Need)
Best Supporting Actor: Mikkel Boe Følsgaard in Den skaldede frisør (Love is All You Need)

1/26/13
On January 23 the Danish Film Academy announced the nominations for this year's edition and nominees confirm that 2012 was an outstanding year for Danish cinema as there are many extraordinary films that were produced -some with huge local box office success and highly honored in the awards/festival circuit- during the year, including one film that is not honored this year as was NOT released in Danish theaters during the last calendar year; I'm talking about Thomas Vinterberg's Jagten (The Hunt) that surely will be honored in the 2014 edition.

Nikolaj Arcel's A Royal Affair leads with 15 nominations, which is remarkable as the award has 16 film categories and the Oscar nominated movie got a nod in all but one categories. Arcel's film is followed by A Hijacking by Tobias Lindholm with 12 nods and as happened in the Bodils, for the first time acting brothers Mads and Lars Mikkelsen will compete against each other for the Best Actor award.

Award ceremony will take place on February 28th in Copenhagen’s Tivoli Hotel and Congress Centre and will be broadcasted by TV2 from 8:50pm local time

To check nominees in all categories go to Academy site or Danish Film Institute site, available only in Danish. Not related to film but very interesting is that for the first time the Academy will give Roberts in five television categories; believe is a great honor for television that just complements the great ratings and financial success some very famous Danish TV series have been getting overseas, some really worth watching even if are dubbed - series should be subtitled but we know television loves to dub instead of small hard-to-read subtitles BUT is time we all realize that TV size has become a lot bigger than not so long ago and subtitles have become very easy to read. Sigh.

Rabu, 19 Desember 2012

Kon-Tiki

Directed by Norwegian most famous directing duo, Joachim Rønning and Espen Sandberg, film tells another Norway's history not that much known tale. First was 2008 Max Manus and now Thor Heyerdahl amazing story where to prove he was right on his scientific findings crossed the Pacific on a balsa wood raft in 1947.

The story is truly fantastic and one the world should be aware as he was the first to prove that the Inca traveled to Polynesia which before trip he hypothesized but no one believe him as then it was common knowledge that Polynesia inhabitants origin came only from Asia. So film presents us the character as a kid, an excerpt of his life in Fatu Hiva -where he creates his theory-, his inability to find interest in the expedition, his persistence until succeeding, and the 101-days trip across the ocean.

But as fascinating as the story is, the movie is not much entertaining as drama is built oddly, action takes too much time with the sharks and script needed much more development for viewers to sustain the almost two hours film takes to tell story. There are moments -when the group is at the sea- that you get tired as story doesn't built up but becomes repetitive and some of us knew the end, so movie was about the ride not about reaching an unknown end.

Then acting is too stiff for my liking even when I imagine that they had to represent Nordic behavior under extreme circumstances as close as possible to reality; but a bit of less stiffness could have been more emotions shown by actors while still being very Nordic.

As can be easily imaginable, film has many outstanding visuals; but the most extraordinary does not come with the men at sea, but from the beginning. The opening sequence with a still camera is impressive as also are most of the winter scenes. While watching spontaneously thought that movie keeps the same camera style no matter where they are (winter, hot weather, urban setting, etc) and perhaps if they had changed the style according to the setting then probable visuals would have been even more remarkable in the non-winter moments. Tech specs are great in general as is the biggest ever Norwegian production up to date - co produced with UK and Denmark-.

But if you wish to learn the story in a more engaging way I suggest you watch the "real" documentary directed by Thor Heyerdahl with the same name that went to win the 1951 Oscar in the documentary category. There are two versions, one narrated in English and the other in Norwegian, both narrated by Thor Heyerdahl himself. Still I know documentary is not easy to find, so many will have to conform with the 2012 film.

As we know film is Norway submission to 2013 Oscar, got a 2013 Golden Globes nomination, and more honors surely will come to film. I liked Max Manus as director's storytelling and filmmaking style was good for the story they were telling, but in this sense I find Kon Tiki not as good as their previous film.

Enjoy!!

Watch trailer @MOC

Kamis, 01 November 2012

En kongelig affære (A Royal Affair)

I was really impressed with this movie, the remarkable performances, the little known (for me) piece of history and how Nikolaj Arcel was able to do "another" European period movie quite different to many that I have seen. So, just imagine the "cultural" shock I had when discovered the not so good reviews movie gets mainly, but not only, in English from a few professional critics and many viewers. This motivates me to do a different approach here as seems like if I saw (again) a different story than many did.

The Film Story - Part 1

Film tells the story of a young queen, Caroline Mathilde, who is married to insane king, Christian VII of Denmark, falls secretly in love with the king's German physician, Johan Friedrich Struensee, and together change too early what later becomes the norm not only in Denmark but across the civilized world or -if you wish- Europe. Is told from the queen's perspective and accordingly to what I read is based primordially on the novel Prinsesse af blodet (Princess of Blood) by Danish author Bodil Steensen-Leth where the queen is the protagonist and the one who narrates story; but also is based on the novel Livläkarens besök (The Visit of the Royal Physician) by Swedish author Per Olov Enquist. So these gives us some clues that story even do is based on actual facts has to have some fiction.

The History

As I'm not that much familiar with Danish history my first instinct told me to check what was fact, so I did a little research from reliable sources. Seems movie is a good dramatization of actual events but there are several issues that seems today are still questionable; most are related to the "affair" or the romance. Some still doubt that Struensee had an affair with the queen, but others confirm that the daughter pictures show resemblance to him and many claim that he had an affair with the queen and also with another woman in the court, which made both women very jealous of each other.

What seems to be real is everything related to Struensee ascension to power, his ahead of time rulings based on his studies of Enlightenment philosophers, and his fall to the aristocrats that had lost all power and finally got it back. All this happening in Denmark 20 years before the French Revolution.

The Story - Part 2

Seems that most viewers see film and only watch the romance, after all who can blame them as if you read the movie title is none other than "A Royal Affair", which most will relate to the romance and not to the other kind of affairs. All right I also saw the romantic affair and admit that it was good, interesting; yet was similar to many European royal stories that we have seen in film, including one mentioned profusely in viewers reviews: the story of Camelot. Most like the romance movie and some even call it a "girlie" film, meaning that is suited only for female audiences. I totally disagree, but then I saw more the "other" story, the one that really captured me to feel all kind of intense emotions, the one that made me think that infamous phrase: "people have the government they deserve".

As movie begins to introduce us to the characters, the queen's tragedy, the king's insanity and whatever follows I was seeing the film with "romance" eyes; but there was one scene that changed all and made me think that there was something more in this story. I'm talking about the scene where the queen finds the books hidden behind the front books in the bookshelf. From that moment on I awoke and started to see film with different eyes. What captured my attention are all the elements that seem to be history accurate and that story seemed to me just fascinating.

I was not aware of this piece of history that happened 20 years before the French Revolution, regret that is lost in history annals and probably will be lost for many even after seeing this film. Won't get into analyzing all the implications but due to Arcel's so contemporary storytelling style plus the outstanding screenplay, made me think about what is happening nowadays around the world, where history tends to repeat itself many times. About the fear of change that some have because will lose their power while others because ignorance. Then, just imagine if Struensee had remained in power world history would have been told quite different today.

The Film

Nikolaj Arcel might be known to some of you because he wrote the outstanding screenplay of Män som hatar kvinnor (The Girl with the Dragon Tattoo), that for me is the best of the Millenium saga films; so was not surprising that the screenplay of this movie won the Silver Bear for Best Screenplay at the 2012 Berlinale that he co wrote with Rasmus Heisterberg. I believe that what makes this movie quite outstanding is the remarkable screenplay that spectacularly blends romance, some humor and historic events while impregnating a very contemporary feel.

Performances by Alicia Vikander (the queen) and Mads Mikkelsen (Struensee) are remarkable but the one that steals the movie for me is Mikkel Boe Følsgaard that gives his insane king performance many layers to make our eyes fixed on him every time he is on the screen. Production design is lavish as well as costumes and production values are on the high end of the scale.

In the end the film is as good as many other European royal period films if you think only about the production values but what makes this film very different is not only the story it tells but also how is told.

As we know film is Denmark's submission to Oscar and before reading reviews I was sure this film will make it to the shortlist of nine and maybe will get a nomination; now I think that only if Academy members see the "other" affairs and how magnificently is blend into romance then perhaps will make the shortlist. Sigh.

Still this is a film I highly recommend to many regular readers as know will enjoy the romance and will appreciate the historic value of this film.

Enjoy!!!

Watch trailer @MOC

Minggu, 24 Juni 2012

Kärlekens krigare (Warriors of Love)

Have seen old movies like this one, but lately seems like not many filmmakers are revisiting the style as probably is not easy to sustain for viewers as has extremely long shots with fix camera, extremely slow-pace, sort of experiential style that no longer is experimental, deadpan expressionless performances, dialogues with no characters in screen and only two actors that pretend to be something they are not. Yes is quite hard to watch this movie that was in competition at 2009 Locarno in the Filmmakers of the Present section.

If visually is hard to watch because the storytelling style, story is quite disturbing and style only makes it more disturbing; still have in my mind some of the dialogue and I hope to fast get rid of as the coldness when delivering the lines is chilling, disturbing and that's how I'm hearing the words again in my head. Awful.

Film story has been labeled as the "lesbian Romeo and Juliet"; I can assure you that there is nothing in here slightly resembling the Shakespeare story, as tells about a couple of young women (actress look adult but dress like teens, odd effect) that go to the countryside where the father of Ida lives, slowly and in the most disturbing way (only with words that many times are worst than images) we learn that the father abused her, so they decide to kill him. I watched with most disgust until this moment as afterwards story became really silly and -please excuse my word- stupid. As I will not recommend watching this movie will spoil the story, in the end the women hang themselves to death.

I have seen very disturbing movies, but this one besides being quite disturbing is VERY unpleasant to watch, truly disgusting, no matter the great black and white cinematography. So, I strongly suggest you skip this very unpleasant movie.

Awful!

Watch trailer @MOC

Senin, 06 Februari 2012

65th Bodil Awards Winners

Melancholia was the BIG winner last night as collected ten awards including Best Film, Best Director, Best Script, Best Actress and Best Supporting Actress to great Charlotte Gainsbourg. Winners are in *BLUE. To read complete list of winners go here in English or here in Danish.

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1/9

A few days ago the Danish Film Critics Association announced their nominations and here they are some top categories. Nomination leader is A Family with 16 nominations followed close by Dirch (14) and Melancholia (13).

Best Film
En familie (A Family), Pernille Fischer Christensen
SuperClásico, Ole Christian Madsen
Frit Fald (Rebounce), Heidi Maria Faisst
*Melancholia, Lars von Trier
Dirch (A Funny Man), Martin P. Zandvliet

Best Actress
Lena Maria Christensen in En familie (A Family)
Frederikke Dahl Hansen in Frit fald (Rebounce)
*Kirsten Dunst in Melancholia
Emma Sehested Høeg in Magi i luften (Love is in the Air)

Best Actor
*Nikolaj Lie Kaas in Dirch (A Funny Man)
Jesper Christensen in En familie (A Family)
Anders W. Bertelsen in SuperClásico

To read nominees in other categories go here, available only in Danish and here in English. Award winners will be announced on February 5.

Rabu, 30 November 2011

Autumn Movie Bites #2

Some bites to remind us that I have seen the movies and what I think about them.

Rise of the Planet of the Apes by Rupert Wyatt. USA. I start by saying that have seen the old movies, thus I know story; so my big surprise was to find that I liked the prequel, is a lot better than what I could ever imagined or expected. Loved the new apes, especially the protagonist with an amazingly expressive face that really transmitted feelings, truly fabulous how cinema technology has advanced and how good can be when is well-used. If you haven’t seen it, go ahead and watch if only just to pay attention to the great expression by the protagonist ape. Enjoy!!

What Women Want by Daming Chen. China. I’m crazy about Gong Li and will watch everything with her, but I have no idea why did she accepted to do this remake of the Hollywood movie with the same name. Much less because I did enjoyed original and gee, this remake was really awful and got me feeling embarrassed for Gong Li performance. If you love Gong Li please do not watch this movie. Sigh.

Margin Call by J. C. Chandor. USA. Nice entertaining drama about the financial crisis that seems will be explored from many points of view; this time telling about an investment bank that rushes to dump their positions before everything explodes and pushing fast-forward the crisis. Great cast with the likes of Jeremy Irons, Kevin Spacey, Stanley Tucci, Paul Bettany, and well, Demi Moore. Movie is starting to collect honors in this award season and yes, is well-deserved as film is a good representative of current American cinema that doesn’t target teenagers and doesn’t use special effects to fill movie duration. Enjoy!

The Help by Tate Taylor. USA, India, UAE. No, haven’t read the book and was expecting a not-easy-to-watch American period drama before civil rights were a possibility. To my surprise the story engage me to the point of making me very uncomfortable at moments as many things that are depicted in the movie are still true today between maids and their mistresses from many Latin American countries. Film is well done, so well that does generate emotions in viewers and I’m no exception, but great performances enhance story and movie in general, especially Viola Davis that I’m sure will get an Oscar nomination. Watch movie is entertaining and surely will make you laugh, shred a few tears, make you think a lot, and for some, wonder why no one has written a successful book about Latin America’s maid/mistress relationship. Enjoy!!!

Snow Flower and the Secret Fan by Wayne Wang. China and USA. Film tells parallel stories between 19th century China and present day Shanghai with tales of two women joined by laotong, a biding vow and contract to be eternal friends and share each other lives communicating with a secret women’s language called nushu beautiful written on the folds between the spines of silken fans. Nice story isn’t? Unfortunately film does not match the greatness of the story and what could have become interesting, thrilling and engaging becomes banal, not interesting and focus less. If you skip movie won’t miss much, but I do suggest you read book by Lisa See. Enjoy.

Melancholia by Lars von Trier. Denmark, Sweden, France and Germany. Lars von Trier has said publicly that this is his most American-like (ie mainstream or commercial) movie ever and you have no idea how right he is as this film definitively is not the regular greatness von Trier imprints in his works. Maybe the cast helps too much to his Americanization, as the first part with Kirsten Dunst character story is really not-engaging and for me, dull. Thing change a bit in the second part when Charlotte Gainsbourg commands the story and the screen but by then you know the end is coming and effectively comes with a bang done more with light than with impact. I suppose that most honors will come because film is not as crude as for example The Antichrist, is a lot more easy to watch and one-dimensionally understandable. Sigh. All right because I really liked second part, let say is Enjoy! (I hope he goes back to do his remarkable movies that so goodly shock us).

The Tree of Life by Terrence Malick. USA. Let me get this out of the way I have seen Malick’s movies and yes there are some I don’t like (The New World) and some nobody liked but I did (Days of Heaven); so many like his latest and surprise, surprise I did not. Just let me share that can’t understand why to reproduce the big-bang for about 20 minutes (more or less) with images that look more belonging to Natgeo, Discovery or any of those cable TV channels than to a “serious” film. I literally forced myself to watch the complete movie, but boy that was really a very hard thing to do and do not suggest anyone to do it. Too hard-to-watch (ie boring) but got the Palm d’Or and praises from everyone, except me. Sigh.

Beginners by Mike Mills. USA. Could you believe I watched this movie because Mélanie Laurent? Lol! It’s an entertaining movie thanks to very good performances by Christopher Plummer and Ewan McGregor as father and son. Film is a drama that tells about a man inability to keep a relationship surely due to what he saw his parents live, especially after her mother dies and his father recuperates the ‘joie de vivre’ when he tells everyone that he’s gay. It’s a complex story with many layers that I got them but somehow didn’t engaged me and watched from a comfortable distance, I was just an spectator of whatever was going on in the screen. Enjoy!!

Attenberg by Athina Rachel Tsangari. Greece. Very crazy movie, so crazy that I love it! But know that is not for everyone not for the story, not for the performances, not for the style and not for the whole that to me feels not hot like Greece but very cold like Finland –somehow film made me think of Aki K. films-. There is nothing lesbian interest in this film as I thought, so watch film only if you like cold-expression-less performances in very complex layered stories. If you dare to watch film I bet you will enjoy it a lot more than you expect, obviously you have to like art/arthouse films too. Enjoy!!!

Le Gamin au Vélo (The Girl with a Bike) by Jean-Pierre and Luc Dardenne. Belgium, France and Italy. Typical and particular Dardenne brothers visual style, amazing storytelling technique/style, and excellent directorial style that makes something very simple into a true masterpiece that’s a pleasure to watch. Period. Both Cécile De France and Thomas Doret give impeccable performances. A must be seen film for all of us that love the work of great Dardenne brothers. Enjoy!!!

Elena by Andrei Zvyagintsev. Russia. This movie has been killing me since the moment I finished watching and as days went by it has gotten worst. See, my spontaneous reaction when I saw the movie was: it’s an okay movie, Russia now looks/behaves like the rest of us… hmm, not good. Liked the visuals but believed they’re not as good as in Izgnanie or The Return. But since I like this director way beyond what I saw, I replayed movie in my mind and from that moment on movie is killing me. I know there are a lot of symbols and film explores the capitalist dichotomy of poor-rich, have-have not’s, plus the roles nouveaux riches play in their societies and I suppose that in Russia those that have money have not old money, but new money. Then started to read about movie and gee, almost each review, no matter the language, has slightly different story interpretations. I even read what Zvyaginstsev says about story and yes is slightly different. So my conclusion, is that movie story could have as many interpretations as people who see the movie, there is a very easy to understand story essence that deals with what I said above plus the morals of committing murder, but when you see story essence you know there is more and indeed people find more. One thing I’m sure if you enjoy great Russian films, this is must be seen for you. Big Enjoy!!!

جدایی نادر از سیمین Jodaeiye Nader az Simin (Nader and Simin, A Separation) by Asghar Farhadi. Iran. Excellent movie, for me as good as Farhadi previous two films, Fireworks Wednesday and About Elly; but this film has something new as story flawlessly travels several genres and engages us viewers not like spectators but like we are inside the movie and sometimes we side with Simin, then with Nader, the with Razieh, then with the judge, then with no one, then we are completely immersed inside the story and film. Fabulous! Until you see this brilliantly crafted very simple story you have no idea how seeing something so banal and common can become a masterpiece in the hands of a master filmmaker. Chapeau Mr. Farhadi. I don’t doubt that has huge possibilities of winning the Oscar and if so, will be well deserved, especially now that I know Pina is also competing in the documentary category. I strongly recommend this film as must be seen for all everyone that loves great world cinema. BIG ENJOY!!!

There are many more movies, but this is it for today. Cheers!

Sabtu, 11 Juni 2011

Movie Bits and Bits

Here are some mini-bits about some movies.

The Tempest by Julie Taymor. I do believe that Taymor movies are not for everyone much less when is based on a not so well-known Shakespeare play about love, vengeance and forgiveness but I believe that this is a fantastic adaptation to the big screen due to the amazing visuals and special effects plus great performance by Helen Mirren who plays Pospera, a role than in the original play is a man, Prospero. Movie is a bit too talkie for me but amazingly kept my total attention which happens not very often. Somehow believe movies like this make Shakespeare more accessible to general audiences, but unfortunately I know that general audiences won’t be attracted by film, which is true pity. Then those that like Shakespeare surely will not like movie, so I really wonder who the natural target of this great film is. I do recommend film to those that don’t mind very visual theatrical adaptations to the moving pictures. Enjoy!!!

Balada Triste de Trompeta (The Last Circus) by Alex de la Iglesia. Surely not for all audiences as this visually crazy with a crazier story film will not please many, but I found movie to be Brilliant!!! Not only made me recall Fellini but I found love story to be a satire of what happened in Spain during those times. Watch at your own risk, but if you enjoy Felliniesque visuals plus are familiar with Spain’s history then maybe you will like this really crazy movie. Enjoy!!!

Hanna by Joe Wright. Liked the story, liked Saorise Ronan performance as well as Cate Blanchett as a villain; but didn’t like the movie as I believe Wright messed up the storytelling, which is a true shame. Director is excellent for period dramas but when he comes to the present he seems to lose his magical touch. Enjoy.

A Religiosa Portuguesa (The Portuguese Nun) by Eugène Green. Movie has everything I like (very slow pace, nothing much happens, silences, very little dialogue, etc) but I couldn’t stand it, was impossible for me to finish watching. Sigh.

Edie & Thea: A Very Long Engagement by Susan Muska and Gréta Olafsdóttir. A documentary that tells the life of Edie and Thea; actually doc splendidly relates the love that these two women had for each other during 42 years, a story that culminates when finally they are able to get married. You will watch two remarkable ordinary women that lived their life against many odds. Strongly recommend to not miss this nice, very nice documentary. Enjoy!!!

Henry’s Crime by Malcom Venville. Surprisingly entertaining crime-romance-comedy film with very acceptable performances by Vera Farmiga, James Caan and one of my favorite actors Keanu Reeves in a role where he is forced to do his regular straight face acting but also goes to his more human smiling face and emotional acting, which is just great for me. Story is interesting especially because mirrors Anton Chekhov’s The Cherry Orchad play. Great movie for when you feel like having a good entertaining moment. Enjoy!!

La Robe du Soir (The Evening Dress) by Myriam Aziza. Aziza’s debut is a film with striking photography and a not-so-usual story about a student/teacher crush. Juliette, a 12-year-old-girl, has a strong crush on her beautiful/sensual teacher Hélène; everything is fine until she notices that Hélène is paying too much attention to a male student. Story unravels in a sort of Fatal Attraction -French style, of course- that tests the limits of what should and should not be happening between students and teachers. As a matter of fact and according to what I read it was director’s intention to criticize the French education system. I don’t believe film is the usual lesbian interest film as even when the story morale is definitively lesbian, the way story unravels is not lesbian at all. Still film is excellent not only for its top tech specs but also for the unbelievably good performance by Alba Gaïa Kraghede Bellugi that plays Juliette. If you are like me that love excellent French cinema then this film is must be seen for you. Enjoy!!!

Ces amours-là (What War May Bring) by Claude Lelouch. Unfortunately terrible and misleading translation into English as film is nothing about war even when is set during WWII; this is a feminine saga told like perhaps only Lelouch can tell, a female drama during several decades, that revisits life in France, revisits French cinema and is all about love (French style). Not your regular entertainment fare even under French standards but film has a little bit of everything that has been great (and bad) in France. Most notable Anouk Aimée cameo, the passages from films by Gremillon, Fleming, and Carné; but Lelouch homage to Jean Gabin is really fantastic. Suited only for those that really love French cinema. Enjoy!!

The Adjustment Bureau by George Nolfi. Surprisingly good sci-fi entertaining movie especially when really film is all about love, which is surely the reason why so many disliked film as probably were expecting another Bourne-type story as Matt Damon is the star. So if you enjoy watching unusual love stories then give this movie a try and perhaps you will highly enjoy your entertaining moment. Enjoy!

Submarino by Thomas Vinterberg. Movie grabbed me since the very beginning up to the very end. While story is painful to watch film is truly mesmerizing thanks to great performances and the grim reality style. Not often I’m able to hypnotically watch a film about alcoholism, drug addiction, violence, mental illness, and many other not positive life situations, but film takes you by the hand and not fast-not slowly shows you the lives of those inevitably marked by what they had to live in their childhood. You’re the observer, they live, you feel; intense. Highly recommend it to those that enjoy excellent European cinema. Enjoy!!!

That is all.

Sabtu, 23 April 2011

Hævnen (In a Better World)

A very good movie, extremely good indeed as while telling a not so extraordinary story, perhaps even told before, film becomes absolutely out of the ordinary. As a matter of fact have to conclude that film is perfect, yes there is perfection in this Susanne Bier’s carefully crafted movie as there is art, there is drama, there are outstanding performances by adult and children actors, there are magnificent visuals, absolutely amazing illumination, great indoor and outdoor framing and compositions, use of music to enhance the moment (yes I noticed music score), not many words –just the necessary- and a narrative that flows many times like a dream while little by little builds an intense tension that hurts inside and propels to feel many emotions. Exhausting, intense but very gratifying cinematic experience.

Took me a while but the Academy Award winner in the Best Foreign Language Film category absolutely deserves the honor even when I still have one movie to watch from the five nominated I’m positive that this has to be the best, as Bier’s oeuvre is so complete, so well-crafted that not often my eyes have the opportunity to watch such perfection. Truly, truly amazing.

Somehow I feel banality when telling what story is about, as summarizing plot doesn’t give you an idea of what this experience is all about; still will tell that is about school bulling, adult bulling, a boy with deep rage, and people from a very civilized society that at times their behavior seems fantasy, but is real; and there is a parallel story in Africa, a refugee camp with a big bully man. What you imagine, what you expect will not happen, as story will evolve so civilized that again seems fantasy, out of this world that surrounds us, like in a better world, that world that nowadays seems so foreign. Magnificent.

Absolutely must be seen and I just hope that everybody that has the privilege of watching this extraordinary oeuvre will experience all the emotions that crushed me but at the same time absolutely delighted me with an intense and complete cinematic experience. Chapeau Madame Bier. Bravo!!!

BIG ENJOY!!!

Watch trailer @MOC