Tampilkan postingan dengan label Switzerland. Tampilkan semua postingan
Tampilkan postingan dengan label Switzerland. Tampilkan semua postingan

Senin, 17 Februari 2014

2014 Swiss Film Award Nominations

The contenders for the 2014 Swiss Film Award have been revealed. The official announcement was made during “Nominations Night” in Solothurn concert hall. Some 600 invited guests from the Swiss film industry attended the gala evening.

Around 240 members of the Swiss Film Academy viewed and rated the 118 film entries that were deemed eligible for the competition. The results of the anonymous vote serve as a recommendation for the Swiss Film Award jury whose task it is to select the final award nominees. This year, the awards are divided into 11 categories and come with prize money totalling CHF 435,000. The key role of editors in the filmmaking process will be officially recognized, with the introduction of the new “Best Film Editing” Award. In addition, the 2014 Swiss Film Award will be the first time that the “Best Animated Film” Award will be bestowed annually instead of every two years.

The 17th Swiss Film Award ceremony will take place on 21 March 2014 at the Schiffbau, Zurich. This gala event, which officially recognizes the work of the Swiss film industry, is co-produced by the Federal Office of Culture and its official partners, SRG SSR and the Association "Quartz" Genève Zürich, and is organized in collaboration with SWISS FILMS, the Swiss Film Academy and the Solothurn Film Festival.

Best Fiction Film
Der Goalie bin ig, Sabine Boss
Left Foot Right Foot, Germinal Roaux
Les grandes ondes (à l'ouest) (Longwave), Lionel Baier
Mary Queen Of Scots, Thomas Imbach
Traumland, Petra Volpe

Best Animated Film
Hasta Santiago, Mauro Carraro
The Kiosk, Anete Melece
Vigia, Marcel Barelli

Best Documentary Film
Der Imker, Mano Khalil
L'escale, Kaveh Bakhtiari
L'expérience Blocher, Jean-Stéphane Bron
Neuland, Anna Thommen
Vaters Garten - die Liebe meiner Eltern, Peter Liechti

Best Actress
Ursina Lardi in Traumland
Sonja Riese in, Der Goalie bin ig
Bettina Stucky in Traumland

Best Actor
Stefan Kurt in Akte Grüninger
Patrick Lap in Les grandes ondes (à l’ouest)
Marcus Signe in Der Goalie bin ig

Best Performance in a Supporting Role
Leonardo Nigro in Die Schwarzen Brüder
Pascal Ulli in Der Goalie bin ig
Dimitri Stapfer in Left Foot Right Foot

To check nominees in all 11 categories please go here.  Seems I'll have to catch-up my Swiss film viewing as all films are "new" for me and there is a couple that seem to be worth-watching.

Jumat, 09 Agustus 2013

66th Locarno Film Festival Lineup and Award Winners

Festival will run from August 7 to 17. There are some interesting movies that you can check info below.



Here are all the Award Winners


Sabtu, 23 Maret 2013

2013 Swiss Film Award Winners

Today at the awards ceremony winners were announced and as expected by me, Ursula Meier's Sister won big, including the top award.

Winners are in *BLUE. To check winners in all categories go here.

1/31/13
Last night the Federal Office of Culture announced the contenders for this edition. This official ceremony, known as “Nominations Night”, was held in Solothurn concert hall as part of the Solothurn Film Festival, and signals the countdown to the Swiss Film Award ceremony, which will take place on 23 March 2013 in the Bâtiment des Forces Motrices in Geneva. The guest speakers at the gala event were Federal Councillor Alain Berset, Charles Beer, President of the Executive Council of the canton of Geneva and President of the Association “Quartz” Genève Zürich, and Christian Frei, President of the Swiss Film Academy.

The awards honor ten categories and here are the nominees for the main categories where Rosie by Marcel Gisler got most nominations, 6; with three nods each, Ursula Meier's Sister, Nicolas Wadimoff's Opération Libertad and Werner Swiss Schweizer's Verliebte Feinde. The real surprise is that Sister didn't got the most nominations and that Rosie plus Verliebte Feinde seem to be interesting movies that had skipped my radar.

Best Film
Il Comandante e la Cicogna (The Commander and the Stork), Silvio Soldini
*L’Enfant d’en haut (Sister), Ursula Meier
Opération Libertad, Nicolas Wadimoff
Rosie, Marcel Gisler
Verliebte Feinde (Enemies In Love), Werner Swiss Schweizer

Best Actress
*Sibylle Brunner in Rosie
Mona Petri in Verliebte Feinde
Sabine Timoteo in Cyanure

Best Actor
Fabian Krüger in Rosie
Fabian Krüger in Verliebte Feinde
*Kacey Mottel Klein in L’Enfant d’en haut (Sister)

Best Performance in a Supporting Role
*Antonio Buil in Opération Libertad
Judith Hofmann in Rosie
Sebastian Ledesma in Rosie

Best Screenplay
Nicolas Wadimoff and Jacob Berger for Opération Libertad
Marcel Gisler and Rudolf Nadler for Rosie
*Ursula Meier and Antoine Jaccoud for L’Enfant d’en haut (Sister)

To read nominations in other categories and check info for each film go here.  Suggest to read synopsis for Rosie (has some gay interest) and Verliebte Feinde (protagonists relationship is compared to Beauvoir and Sartre).

Cheers!!!

Kamis, 27 September 2012

Bye Bye Blondie

I find films directed by Virginie Despentes quite unpleasant to watch, especially Baise Moi but also Les Jolies Choses which she did not direct, did not wrote the screenplay but was based on her novel. This film is not like those as while still having some very unpleasant moments, definitively she toned down -a lot- from her directorial debut and made film easier to watch.

Most surprising was to find that movie is based on her book with the same name but in book the protagonists are a man and a woman, while in movie are two women. Have no idea why Despentes changed the story but definitively if this was a man/woman story would have been similar to many other stories told in films; what makes story different is that is about two women.

I see everything with Emmanuelle Béart so film was must be seen for me because of her and well, yes because is absolutely with lesbian interest. The bad news is that this film is NOT fantastic Nathalie, did not enjoyed much Béart performance (that's what happens with an inexperienced director) and found story not that much interesting.

Film tells the story of Frances and Gloria who meet when they are teenagers, fall in love, life separates them and when they're older Frances looks for and finds Gloria again. So older Frances is played by Béart and older Gloria by Béatrice Dalle; this couple have no chemistry, their interactions look forced BUT chemistry explodes when they fight, which are the only scenes where I recognized the Béart I enjoy so much.

The good news is that story is not told sequentially as their younger years are told by flashbacks, but what is incredibly good are the performances by Clara Ponsot (teen Frances) and Soko (teen Gloria) as couple not only has good chemistry but somehow their story is a lot more interesting. Just to watch Béart fighting and the younger couple film is worth watching.

Will share a bit more about story. Younger Gloria is punk, which gives permission to play some nice old punk rock and later some retro punk scenes with a famous French punk icon, so she's rebellious and ends up in a psychiatric institution. There is where she meets younger Frances who dares Gloria to have sex with her as is forbidden by the institution. What follows you have to watch, but will share that while watching started to think that story was about two different backgrounds, about love not being enough and I was sure that was what I was seeing until the "shocking" end that absolutely surprised me. In French cinema not often you will see a film ending like this film does.

Found film as a film to be uneven, some scenes have good tech specs while many others don't. I know this is unthinkable/unforgivable in French cinema but for the lesbian interest genre unfortunately is quite common, so know that won't bother at all to those watching because they enjoy the genre.

Having two well-known French actresses in film, Béart and Dalle, plus famous singer Soko, attracted much attention from critics and viewers, but I'm afraid that this film is only suited for lesbian interest audiences that do not mind to see "unusual" French movies. Sigh.

Can't say I did not enjoy film but also cannot say that I enjoy it. I'm lukewarm as after all film looks and feels like a Virginie Despentes film; all right, a slightly improved Despentes.

Enjoy!

Watch trailer @MOC

Rabu, 05 September 2012

L'enfant d'en haut (Sister)

Ursula Meier really know how to do great films that also are very disturbing. As soon as started watching this movie recognized some elements that immediately made me see inside my head and from beginning to end, her previous movie Home. It took me a few seconds to see the complete movie in my head, but definitively set my mind in the right mood to continue watching this movie.

As camera follows young Simon we are introduced to his world where what we see doesn't match at all the civilized Swiss society as he is a small-time thief that during ski season steals skies, skiing gear, sun glasses and food. He sells to other kids until he finds in workers better shoppers. With the money he buys food for him and his sister. You like Simon, you try to understand why he's doing what he does, you don't like his sister, you feel sorry for Simon. Then after a while at the precise moment when you already started to see differently everything about Simon, the bomb comes and explodes heavily.

The last sentence uses an image as there is no explosion in this film, as a matter of fact before and after the "bomb" nothing much happens but thanks to great performances by Kacey Mottet Klein (he was also in Home) who plays Simon and Léa Seydoux who plays his sister plus the amazing Meier filmmaking and storytelling style you will feel a lot of contradictory intense emotions. At least, that's exactly what happened to me.

A very, extremely unusual family drama that plays with all kind of borders and border-crossing; about "up there" and "down here"; is set in Switzerland but story is universal. Really wish to forget about my golden rule for NO spoilers as this film deserves an analysis of everything we see, everything that happens and what we see more with expressions, silences and camera moves. So much deserves the analysis that makes me think I should start a blog called 'movie spoilers' where I can talk freely. Yes, is a very good movie, one that you should not watch alone, so you can talk and talk about it. Sigh.

Believe that film as film is quite simple but recognize that while is "up there" a style prevails that changes when we go "down here" which makes this not fast paced movie, faster than many I have seen. It's an interesting resource that Meier calls "vertical film" and is the contraposition of Home that was an "horizontal" film. As film has the vertical movement, worth mention and kudos to editing; also, as in Home the highway becomes a character, I believe here the ski lift ride becomes the third lead character in film.

Film is the Silver Bear Special Mention award winner at the 2012 Berlinale and collected more honors while traveling the fest circuit. Is one of the films competing to be the Swiss submission to Oscar and wonder if will be the selection due to the Swiss process as definitively I do not think this movie is for general audiences. Still, among English-language critics reception was more than acceptable, but somehow less than those I read in French.

A must be seen movie for those that like great European cinema, already have seen Home and like it, and don't mind to feel intense emotions.

Big Enjoy!!!

Watch trailer @MOC

Sabtu, 11 Agustus 2012

65th Locarno Film Festival Award Winners

This year I followed the fest with their mobile apps as well as with the social sites plus the official site; even do they implemented an extensive internet strategy, I believe that they somehow forgot about making more accessible the fest info as the only way you could see the competition and other sections list was with an arid .pdf file. Hope next year they come back to a more user friendly format with info available in a more traditional way. Sigh.

Today the fest had their awards ceremony and here are the winners that you can check at the official site here.

International Competition

Golden Leopard for Best Film: La Fille de Nulle Part (The Woman from Nowhere), Jean-Claude Brisseau, France

Special Jury Prize: Somebody Up There Likes Me, Bob Byington, USA
Silver Leopard for Best Director: Ying Lian for Wo Hai You Hua Shuo (When Night Falls), South Korea and China
Silver Leopard for Best Actress: An Nai in Wo Hai You Hu Shuo (When Night Falls), Ying Liang, South Korea and China
Silver Leopardfor Best Actor: Walter Saavel in Der Glanz des Tages (The Shine of Day), Rainer Frimmel and Tizza Covi, Austria

Special Mention: To the extraordinary character CANDY from the film A Última Vez Que Vi Macau (The Last Time I Saw Macao), João Pedro Rodrigues and João Rui Guerra da Mata, Portugal and France due to her powerful presence through absence which resonated for the Jury as representing the immense courage of Portuguese cinema in times when the failures of government and social systems threaten the cinematic arts worldwide.

Cineasti del Presente (First or second film)

Golden Leopard: 祈 Inori, Pedro González-Rubio, Japan
Best Director: Joel Potrykus for Ape, USA
Special Jury Prize: Not In Tel Aviv, Nony Geffen, Israel
Special Mention: Tectonics, Peter Bo Rappmund, USA

Opera Prima

Best First Feature: Ji Yi Wang Zhe Wo (Memories Look At Me), Song Fang, China
Special Mention: Ape by Joel Potrykus, USA

Other Awards
Audience Award: Lore, Cate Shortland, Germany, Australia and UK
Variety Piazza Grande Award: Camille Redouble, Noémie Lvovsky, France

Independent Juries Awards

FIPRESCI Prize: Leviathan, Véréna Paravel and Lucien Castaing-Taylor, UK, France and USA
CICAE: Museum Hours, Jem Cohen, Austria and USA

FICC/IFFS Prize: Der Glanz des Tages (The Shine of Day), Rainer Frimmel and Tizza Covi, Austria
Special Mention: Leviathan, Véréna Paravel and Lucien Castaing-Taylor, UK, France and USA

Ecumenical Prize: Une Estonienne à Paris (A Lady In Paris), Ilmar Raag, France, Estonia and Belgium
Special Mention: Der Glanz des Tages (The Shine of Day), Rainer Frimmel and Tizza Covi, Austria

Junior Jury Awards
First Prize: Startlet, Sean Baker, USA
Second Prize: Mobile Home, François Pirot, Belgium and Luxembourg
Third Prize: Compliance, Craig Zobel, USA
Environment is Quality of Life Prize: The End of Time, Peter Mettler, Switzerland and Canada
Special Mentions
Image Problem, Simon Baumann and Andreas Pfiffner, Switzerland
Berberian Sound Studio, Peter Strickland, UK, Germany and Australia

Cinema & Gioventù Jury Prize - Concorso Cineasti del presente: Boa Sorte, Meu Amor (Good Luck, Sweetheart), Daniel Aragao, Brazil

Semaine de la Critique: Vergis Mein Nicht, Davic Sieveking, Germany
Premio Zonta Club Locarno: Dance of Outlaws, Mohamed El Baoudi, Finland and Norway

Pardi di Domani (Short Films)

International Competition
Golden Pardino -Best Short Film: The Mass of Men, Gabriel Gauchet, UK
Silver Pardino: Yaderni Wydhody (Nuclear Waste), Myroslav Slaboshpytskiy, Ukraine
Special Mention: Los Retratos (Portraits), Iván D. Gaona, Colombia
Locarno short film nominee for the European Film Awards: Back of Beyond, Michael Lennox, UK
The Film und Video Untertitelung Prize: O Que Arde Cura (As Flames Rose), João Rui Guerra da Mata, Portugal

National Competition
Golden Pardino - Best Swiss Short Film:  Radio-Actif (Radio-Active), Nathan Hofstetter, Switzerland
Silver Pardino: L'Amour Begue (Stammering Love), Jan Czarlewski, Switzerland
Premio Action Light for Best Swiss Newcomer: Il Vulcano (The Volcano), Alice Riva, Switzerland

Cinema & Gioventù Jury Prize - Pardi di domani
Best International Short Film: Back of Beyond, Michael Lennox, UK
Special Mention: Serce Do Walki, Tomek Matuszczak, Poland
Best Swiss Short Film: L'Amour Begue, Jan Czarlewski, Switzerland

To read all awards you have to download a .pdf file with the official selection plus the Independent Juries awards.

I'm a bit surprised with the top award as unless film is absolutely different to his previous films it's impossible for me to imagine how Jean-Claude Brisseau could win the top award at any festival. But there are a few interesting movies like Song Fang's Memories Look at Me produced by Jia Zhangke, the audience winner with a puzzling story that calls my attention, and Inori that I read a few days back that is produced by none other than Naomi Kawase with Mexican Pedro González-Rubio directing.

Sabtu, 10 Maret 2012

2012 Winter Movie Bits

Here are some bits about movies that didn’t touch me enough, at least enough to write something about them.

This Must Be The Place. I have no clear idea of what was I expecting from this movie but Paolo Sorrentino credentials gave me expectations of an intense cinematic experience. Can’t say movie is bad as it’s not, much less that Sean Penn is bad as he gives an excellent performance but there is something that bothered me. I saw two styles, thus two movies; one I liked, happened in Europe, the other I didn’t, set in USA. Not as intense as I was hoping and wish film styles blended better; hope next Sorrentino film stays in Europe only. Enjoy! Italy, France and Ireland.

Drive. With all the awful marketing promotion I delayed watching as much as possible as imagined movie was going to be very violent. It is not and end up enjoying the story, the performances and fabulous Nicolas Winding Refn style. If you don’t care about violent movies do not skip this one as not only is not that violent but you will be missing a great movie with great actors’ performances and an acceptable story. Enjoy!!! USA.

Martha Marcy May Marlene. Actually I liked movie and as I said after watching if it wasn’t for them talking English I would have say that this is an European movie, maybe German, good German cinema and Elizabeth Olsen has a great performance, should have gotten an Oscar nod as she does world class acting. If you haven’t seen it, do not skip it worth watching no matter how story is. Enjoy!!! USA.

Young Adult. I believe I’m a Diablo Cody fan and really are looking forward to her directorial debut. In a nutshell this Jason Reitman film has outstanding –and very sharp- dialogues and an amazing performance by Charlize Theron, so good that the classic drunk scene made me feel very awkward, so much that had to “close” my ears and really close my eyes. Do not skip this movie as is a fantastic movie about those really dysfunctional individuals that never grow up. Enjoy!!! USA.

The Iron Lady. Meryl Streep does an outstanding performance that in my opinion does not save the movie that should have been more a made for TV movie, unlike the famous The Queen. I really HATED the story as was a not-kind and very unpleasant to watch portrait of a famous woman. There was NO need to tell the story from this point-of-view even when intention was to humanize Mrs. Thatcher. Can you think about an alive male statesman that was an object of a “humanizing” portrait such as this one? I can’t. Anyway even when Streep deserves Oscar I wish the American Academy wouldn’t celebrate her greatness in such a poor movie. Sigh. UK and France.

J. Edgar. Talking about humanizing famous man this Clint Eastwood film does that with perhaps one of the must “larger-than-life” American infamous law iconic figure and in this sense Eastwood absolutely succeeds as Hoover is seen more like a person than a not-so-positive legend. But film has something that makes the end product not outstanding and not relatable. I believe is the screenplay and yes, performances, the later is hard for me say as I believe Eastwood is a master filmmaker, but I know that once in a while he does movies that leave me wondering why he did them and these films have big stars as leads –remember Angelina Jolie movie? Anyway, watch it without expectations and maybe you will learn that Hoover actually did something good. Enjoy. USA

A Dangerous Method. Complex movie, too much psychoanalysis (as it should be) not much entertaining as is very brainy, thus “dry”; but then what was there to expect from a movie about the founders of modern psychology? (lol!) Indeed most of what I heard already knew and had to pay to learn it! Didn’t enjoy much actors’ performances especially Keira Knightley was not good and at times very unpleasant to watch. Watch at your own risk. Enjoy. Canada, UK, Germany, and Switzerland.

Octubre (October). Been waiting a long time to watch this Vega brothers film and no, I was not really impressed with their much praised film. Peruvian cinema has so much evolved and leaped into the international arena that I was hoping for a world class cinema experience. It was not. Movie has more the regular Latin American style and well, has an entertaining story good enough for an entertainment escape moment. Watch at your own risk. Enjoy. Peru.

Un Cuento Chino (Chinese Take-Away). What do you think of a story that starts with a cow falling from the sky into a small boat and killing the woman that was about to get a marriage proposal? That’s exactly how this sometimes comedy sometimes drama starts plus sets the tone and manner to everything that follows. Is an entertaining movie quite well done with the always outstanding and reliable performance by Ricardo Darin. Enjoy!! Argentina and Spain.

Violeta se fue a los Cielos (Violeta Went to Heaven). For me Violeta Parra is an icon and watching her bio was not easy as tells –and made me recall- about turbulent times in the Latin American region not only Chile. Still, I believe Andres Wood does a good job as she was portrayed as what –everyone says- she was, a not pleasant woman. I like her songs and this movie will not change that, but maybe I liked better the idea I had of her in my head than the one portrayed here. Watch at your own risk, especially if you know who Violeta Parra is and her outstanding poetry in her lyrics. Enjoy. Chile, Argentina and Brazil.

Apflickorna (She Monkeys). Lisa Aschan much honored debut film is a very interesting essay on very young and young women –or should I say children?- behavior as story is strong and yes, not easy to watch. But what makes film quite outstanding is Aschan magnificent visual and narrative storytelling style. Looking forward to her next film and suggest you do not skip this movie, but be prepared as story is not light. Yes has some lesbian interest but in my opinion film transcends the label both because story as because the superb filmmaking style, so wider audiences should be able to enjoy this very European movie. Enjoy!!! Sweden. Lesbian interest.

Poulet aux Prunes (Chicken with Plums). After Persepolis I was really hoping for an outstanding story and was looking forward to see how directors move from animation into live filmmaking; then Mathieu Amalric is a very special performer that either you love him in a particular role or you don’t. Here Amalric is the don’t-like kind and live film does not reach the same great levels of their animation film. For me story is not that interesting –at least as much as was Persepolis- even when I recognize that’s magical. Some say is a very French movie, I don’t agree, film does not look or feel French or European at all. But I hope next film by Vincent Paronnaud and Marjane Satrapi regains the magic that Persepolis had. Enjoy! France, Germany and Belgium.

La Source des Femmes (The Source). I was really looking forward to watch this Radu Mihaileanu film with a story that revolves around women. I really like Leïla Bekhti performances as well as excellent Hiam Abbass and good Hafsia Herzi; can’t complain as it was good watching them here but didn’t enjoy much the story as I believe is one I have seen before told in many more compelling ways. Still, visually this film is a true beauty that will feast your eyes. Enjoy! Belgium, Italy and France.

Les Géants. Bouli Lanners films are not easy to watch for me as was unable to watch Eldorado, but wanted to try to watch this Cannes honored movie. I couldn’t, had to stop watching as was feeling physical sick and very uncomfortable. A story of three kids that never imagined could be portrayed so not easy to watch for the most non-sense simple situations. Watch at your own risk. Sigh. Belgium.

Polisse. Not sure what was going to watch here as Maïwenn movies are always not very easy to watch or enjoy. Well, definitively this one has not her usual style and style becomes maybe more commercial as film looks and feels like mainstream cinema –and could extend it to being like a movie made for the small screen. Still film tells a compelling story about children and actors give very good performances, which makes film worth watching. Do not skip it, even if you don’t particularly like French cinema, you will enjoy this movie. Enjoy!! France.

Les Femmes du 6e étage (The Women on the 6th Floor). Watched because Carmen Maura got a Cesar nomination –which she won- but I’m no fan of French comedies as no, I don’t particularly enjoy their humor. Still film is a lot more a drama than a comedy and was a true pleasure to watch Fabrice Luchini performance. Movie is quite watchable and yes I do recommend it for an escape moment, French style of course. Enjoy!! France.

وهلّأ لوين؟ Wo Hallah La Wen? (Where Do We Go Now?) Nadine Labaki mesmerizes me as an actress and most of all as a director. I really LOVED Sukkar Banat (Caramel) so can deny that had HUGE expectations for her next movie. In my opinion her second movie is VERY different to her first and yes, I did enjoy a lot more her first than her second. Story here is very relevant plus her visual and narrative filmmaking style are interesting, but I have seen this story told before in more compelling and emotional ways. Still it was a true pleasure to watch Nadine Labaki in the screen, which makes movie worth watching. I’m really looking forward to her third movie that hope has a more universal story developed with her particular style. Enjoy. France, Lebanon, Egypt, and Italy.

Café de Flore. A very pretentious movie by Jean-Marc Vallée that many say is about love, me I say is an anatomy of a separation told by mirrored stories that happen in the past (Paris) and the present (Montreal) but thanks to pretentious editing –yes editing is what makes this film pretentious- time is senseless crisscrossed, rewind, and forwarded. Better editing could have made mirrored stories more flawlessly intertwined and movie more enjoyable. I really enjoyed Hélène Florent performance and believe she stole the movie. If you don’t mind to watch a movie that moves (too much) in time to tell a story that somehow is predictable (was for me) and journey is not that enjoyable, then watch this film for the love story that many people see in it. Enjoy. Canada and France.

Oslo, 31. August (Oslo, August 31st). Loved Reprise and yes had expectations. Second Joachim Trier film has the same great filmmaking style as his first film but tells a simple story that with his style becomes quite disturbing. So much disturbing that yes, I do suggest you avoid this film as you could get really depressed by Trier’s interpretation of Pierre Drieu La Rochelle’s 1931 Le Feu Follet. Here is not an alcoholic but a drug addict, yet drama is SO well developed that will hurt you inside –where hurts more. Okay, is a very good movie, but find a good state of mind to watch it or you will get very depressed. Enjoy! Norway.

The Artist. Just realized that I didn’t wrote about this movie that in my opinion glorifies Hollywood cinema like no American film has ever done, so it’s no surprise that film became a favorite of critics and the American industry. I enjoyed movie, it was entertaining but as I mentioned elsewhere, if I wanted to honor American silent cinema I could watch so many good films with many excellent silent actors that this film will absolutely pale in the comparison. Obviously film doesn’t look or feel like French cinema and wonder if the honor of being the most honored French movie of all times really celebrates this cinema and not the American one. Watch movie just because won Oscar and if you have to watch all Oscar wining movies. Enjoy! France and Belgium.

I’m sure I forgot many more movies but this is it for today.

Cheers.