David Bradley takes THE STRAIN

The much-in-demand David Bradley has been cast in the crucial role of Abraham Setrakian in FX's TV adaptation of Guillermo Del Toro and Chuck Hogan's novel, The Strain. Bradley has recently been seen playing Walder Frey on Game of Thrones, William Hartnell in Doctor Who drama An Adventure in Space and Time and Argus Filch in the Harry Potter movies.

Meanwhile, FX has aired a brief teaser for the show, which features rats. A pilot was filmed in September, although most of this material will be reshot due to the recasting of Setrakian (played by John Hurt in the pilot). The series proper began shooting a couple of weeks ago and will debut in July 2014. The show has been fast-tracked after an extremely long period in development.

Guillermo Del Toro's TV series greenlit

Guillermo Del Toro is executive producing a new TV series, The Strain (which depicts an infection of New York by creatures that are somewhere between vampires and zombies), based on a trilogy of novels he co-authored with Chuck Hogan. The project originally began as a TV series and became a book series when the original network passed on the project, so it's come full circle.

A non-broadcast pilot was produced last year, directed by Del Toro, with John Hurt starring as Professor Abraham Setrakian. Sadly, Hurt elected not to play the role full-time in the series and will be recast. The other castmembers, most notably Corey Stoll as protagonist Dr. Ephraim Goodweather, will be retained. Sean Astin (Lord of the Rings's Sam Gamgee) will also have a recurring role alongside Kevin Durand (Keamy from Lost).

The series has been picked up for a 13-episode first season by FX. Apparently they envisage the show running for either three or five seasons, depending on ratings. On top the normal series budget, FX are also dedicating $500,000 to the creation of the creatures that will be needed for the series.

Del Toro's day-to-day involvement in the show is likely to be limited, especially if the Pacific Rim sequel is greenlit, so the show will be primarily run by Carlton Cuse, the former co-showrunner on Lost.

The books aren't great, but they are serviceable popcorn entertainment. Hopefully the TV series will be a bit better.

Pacific Rim

2025. The cities of the Pacific Rim are under attack by Kaiju, huge creatures from another dimension which enter ours via the Breach, a portal on the floor of the Pacific Ocean. To combat this menace, humanity has built Jaegers, colossal war-mechs piloted by two people using a neural link to share the massive amounts of information flowing through the machines. Initial victories soon turn sour when larger and more powerful Kaiju start appearing, and the world's governments decide to shut down the Jaeger programme in favour of building immense coastal walls. With his resources about to run out, the commander of the Jaeger programme, Stacker Pentecost, stakes everything on a last-ditch assault on the Breach. But first he must find someone to pilot the refitted Jaeger known as Gipsy Danger.

Pacific Rim is director Guillermo Del Toro's homage to Japanese films and TV series about giant robots and huge monsters (it is dedicated to Ishirō Honda, a legendary Japanese special effects artist, as well as Ray Harryhausen). It is part Transformers and part Godzilla, only better than the recent big screen incarnations of either. Like Michael Bay's Transformers films, there's a lot of giant robots in this film smashing stuff up. Unlike Michael Bay's Transformers films, the action is well-choreographed and relatively easy to follow, the stakes of events are clearly laid out and the human characters are sympathetic and well-acted.

The writing is not original and there are few cliches that Del Toro does not leave unexplored in the film. The leading expert on Kaiju biology is a befuddled English scientist with glasses and a tweed jacket (and played by Torchwood's Burn Gorman), whilst Idris Elba's Stacker Pentecost (best movie character name ever?) gives inspiring speeches and is authoritative and stern but with a human side to him. Few plot twists can't be seen coming from a mile away, but somehow none of it matters. Del Toro is having a huge amount of fun here and, unlike the ridiculously-over-convoluted plots of the Transformers films, knows it's best to keep things straightforward and simple.

That said, he does throw a few different spins on things. The Jaeger programme is refreshingly multi-ethnic, with Stacker being British, sort-of hero Raleigh Beckett (Charlie Hunnam) being American and co-lead Mako Mori (Rinko Kikuchi) being Japanese. The other predominantly-featured Jaeger pilots are Australian, Russian and Chinese, and most of the film is set in and around Hong Kong. The casting, the characters, the setting and the film's name suggest this movie is being made with the Asian markets partially in mind, and it'll be interesting to see how it performs when it opens in those markets (it's European and American box office performance has been solid but unspectacular). The ethnic mix is refreshing, but the gender ratio is more bemusing: Kikuchi's Mako is the only female character of note in the entire movie. The female Russian Jaeger pilot gets maybe two lines (though also one of the film's funniest moments, when she and her Russian co-pilot very calmly walk away from a dangerous situation when everyone else panics) and that's about it. True, Mako kicks an enormous amount of Kaiju backside, is a complex character with a well-developed arc and is probably the second best-acted role in the film (after Elba's excellent turn as Pentecost), but it's a bit odd when there seven male characters of note in the film and only one female.

Overlooking that (and hoping it will be rectified in the unconfirmed sequel), Pacific Rim does a lot with its ingredients. The action is genuinely impressive, with the Kaiju/Jaeger fights having a weight and heft missing from similar movies, and the characterisation and drama is no great shakes, but done well enough to keep things moving along. For such an effects-drenched movie, it has a surprising amount of heart and charm (or surprising until you remember it's still a a Del Toro flick), and overcomes some logic flaws with raw enthusiasm. In that sense it feels close to the original Star Wars: an effects-laden movie built around ultimately likable (although unoriginal) protagonists.


Pacific Rim (****½) is an outrageous amount of fun, featuring genuinely impressive effects, astonishing production design and attention to detail but, more importantly, interesting (if archetypal) human characters and a nice line in humour. It even has flashes of intelligence in how it's visually constructed and the worldbuilding behind the film (though with allowances for the premise). As far as huge blockbusters go, this is one of the most satisfying of the last few years.

Design your own PACIFIC RIM Jaeger

Because designing giant robots never gets old. Especially since this one allows you to indulge in national stereotypes.

UK Jaeger puts the hurt down on the monsters whilst the pilots eat crumpets and catch up on their Downton Abbey box sets.

Meanwhile, the USA funds its Jaeger programme with a controversial tie-in with a major fast food retailer. "Go big or go extinct," is criticised on the grounds it suggests the restaurant is threatening to kill its customers unless they go super-sized. Morgan Spurlock to investigate.

Stark Jaeger was uncommonly effective at arctic warfare until it abruptly got killed off without any warning before the end of Film #1.