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Rabu, 13 November 2013

Midkemia: The Chronicles of Pug by Raymond E. Feist and Stephen Abrams

Earlier this year, Raymond E. Feist concluded his Riftwar Cycle of epic fantasy novels. The sequence that began in 1982 with the publication of Magician concluded with Magician's End, resulting in a massive series consisting of thirty novels spread over ten sub-series. Six of the novels were co-written with other authors, but the rest are solely by Feist. However, it's less well-known that the world of Midkemia is not Feist's creation, instead being conceived by Stephen Abrams. Abrams and Feist attended the University of San Diego together in the 1970s and Abrams created the world for use in roleplaying games. Feist later (with Abrams's permission) used the setting for his novels, fleshing it out further.



Thirty-five years later, Feist and Abrams have regrouped to deliver a companion book to The Riftwar Cycle, featuring maps, artwork and further information on the world of Midkemia not given out in the novels. Whilst I haven't followed the later Riftwar novels (I bowed out after the quite amazingly boring Talon the Silver Hawk), I did enjoy the early ones and particularly liked the worldbuilding (haphazard as it was) depicted in the books and the spin-off computer games (Betrayal at Krondor and Return to Krondor), so I was looking forward to seeing that background fleshed out.

I was disappointed. As a companion book, Midkemia: The Chronicles of Pug is sorely lacking in almost every department. The first thing that grates is a lack of proof-reading: the book is riddled with spelling errors on both the maps and in the text (Shamata is frequently rendered as 'Shomata', whilst 'Murmandamus' is spelt in several different ways depending on the writer's whim of the moment). The maps are pretty, but difficult to use. The fonts render many names difficult to read and the artist seems to frequently get bored and only fill in the trees around the edges of the forests, making it look like Midkemia's woodlands are all plains surrounded by a ring of trees. Also - though this is a long-standing problem from the book maps as well - the mountains are depicted as quite ludicrously-sized given the scale used. The continent of Novindus continues to look like a small island instead of a huge landmass. There is also a discrepancy between the size of the Empire of Great Kesh on the maps and its reported size in the books (several times that of the Kingdom, whilst the maps show it as roughly the same size), and contradictory statements in the book which say that Kesh is sparsely-populated with the cities separated by vast gulfs of wasteland, whilst the novels report that Kesh has many times the population of the Kingdom. There's also the problem of the maps featuring locations that don't actually exist when the map was supposedly made: Port Vykor (or Vikor, as the maps never seem to agree on a spelling), founded after Rage of a Demon King, is shown on maps pre-dating Magician, more than fifty years earlier. Oh yes, and there's supposed to be two world maps of Midkemia, showing the state of the world at the start of Magician and after Magician's End (both visible on various fansites promoting the book) but only one of the two world maps is actually in the book. The other one seems to have simply been forgotten. This is made more amusing by the surviving book having 'MAP II (2)' written on it with 'MAP I (1)' nowhere to be found (in the UK first edition, it should be noted).

Then there's the actual text itself. Those expecting a book which talks about geography, history, society, customs, cultures and so on will be in for disappointment. The text is a fairly basic plot summary of the events of The Riftwar Cycle. Sidebars and illustrations show there is some potential in this approach: a map of Sorcerer's Isle appears at the relevant point in the text, followed by maps of the Sunset Islands when they first appear and so on. Occasionally the summary of plot elements the reader is probably already familiar with is interrupted by a little bit of background information on politics or culture, but such moments are rare and fleeting. The depth and usefulness of the plot summary amusingly mirrors the general consensus of the quality of the books: the events of Magician are covered in substantial depth, then Silverthorn through Rage of a Demon King in somewhat less detail, and then all of the books afterwards (which is almost two-thirds of them) are covered in just a few pages of confusingly repeated names and events which sound generic to the point of painfulness (having bailed out after Talon of the Silver Hawk, I see I'm not missing very much).

Only one of these maps is actually in the book. Oops.

The book is accompanied by artwork from Steve Stone. These aren't actual illustrations, however, but rather stiff and unconvincing 'photo art' featuring posed models in front of CG backgrounds. Occasionally this is effective (Amos Trask's ship running the Straits of Darkness is pretty good) but most of the time it's awful, not helped by occasional re-use of the same model to depict completely different characters.

There are moments when the book comes to life: the opening couple of chapters feel more inspired and some of the maps expanding on the somewhat-confused geography of Silverthorn and A Darkness at Sethanon are genuinely useful. Occasional bursts of background material hint at much more interesting detail. Getting 'canon' maps of the Keshian Confederacy and the full Empire is also gratifying (though it turns out they are pretty much the same as the ones that have been available on the Elvandar website for many years). But ultimately this is a companion book which tells us almost nothing about the history, chronology, societies and cultures of the world it's named after, which is a baffling choice.

Midkemia: The Chronicles of Pug (**) is a disappointing volume, featuring almost none of the information that I suspect readers will really be interested in or expecting. Instead, it's an unproofed plot summary of books they've already read, interspersed with bad artwork, ill-detailed maps and an astonishing number of spelling mistakes. There are a few, scant interesting nuggets of new information to be found and some maps that helpfully clarify confusing descriptions in the books, but beyond that this book is not really that useful. One for die-hard fans and completists only. The book is available now in the UK and USA.

Kamis, 07 Maret 2013

RIFTWAR companion volume to be published in 2013

The last-ever novel in Raymond E. Feist's Riftwar Cycle, Magician's End, will be out in May. This is the 30th novel in the series and marks an end to the saga that began back in 1982 with the publication of Magician.



Appropriately, it has been revealed that there will now also be a companion volume to the series. Entitled Midkemia: The Chronicles of Pug, this book will be a 192-page 'coffee table' book containing illustrations and extensive maps about the world of Midkemia. The project grew out of a mooted 'Midkemia Atlas' that Feist planned several years ago. The book will also feature 'narration' from the characters of Pug and Magnus.
“In the first year of the reign of King Lyam conDoin, I, Pug of Crydee, magician to the royal court and cousin to the King by adoption, do take quill in hand and set forth this writ, that all may benefit from the knowledge I have gained…” -Pug of Stardock

So begins the narrative account of Feist’s best-selling character, Pug of Stardock, for Midkemia: The Chronicles of Pug. Part travel log/journal and part atlas, this visual compendium brings the world of Midkemia to vivid, illustrative life, and gives readers a completely new look at the creative genius of Raymond E. Feist.

Designed and illustrated by the same creative team that brought us the Harry Potter books (Film Wizardry and Page to Screen), Midkemia: The Chronicles of Pug is divided into five sections and transports readers -- via maps, blueprints, floor plans, and journal text -- to the outer reaches of the Midkemia world and into its cities. Starting at the Far Coast, Pug, the hero of The Chaoswar Trilogy, recounts his childhood, before he embarks on a journey that takes him to the Grey Towers, Sorcerer’s Isle, and Krondor. Pug also encounters several favorite characters and people along the way -- including Jimmy and Locky, the Sauur, and Erik and Roo in Ravernburg. Beautiful hand-drawn maps illustrate the changes in Midkemia’s geography as war ravages the land and physically alters the landscape; dedicated readers and fans can literally trace the changes made by each battle. Unlike anything else in the Feist oeuvre, this book is a totally immersive look into the world of Midkemia as never experienced before.
Notably, Feist is co-writing this book with Stephen Abrams. Stephen Abrams created Midkemia in the mid-1970s as a roleplaying setting. Feist, a player in Abrams's games, started writing the Riftwar Cycle to 'fill in' the history of the roleplaying setting at Abrams's suggestion, with Magician set some 500 years before the 'present day' of the setting. The original plan was for Feist to write the account of the five great Riftwars that shaped the history of the planet. Impressively, some thirty-five years after that discussion, that's pretty much the task that Feist has now completed.

The book is currently scheduled for publication on 5 November 2013 from Harper Design. A working cover is shown above. You can look inside the book and see how it's going to look here.

Thanks to Jussi from Risingshadow for discovering the above information.

Jumat, 02 November 2012

Cover art: Feist and Gaiman

Some cover art for upcoming books. First up is Raymond E. Feist's Magician's End (US version):



Normally I don't post much about Feist (that whole, 'Fourteen years since he last published a good book' thing tends to get in the way), but this is somewhat noteworthy as Magician's End concludes the entire 30-volume saga begun way back in 1982 with Magician, bringing to an end the cycle of riftwars and interdimensional chaos to plague the world of Midkemia. Feist plans to move onto other works and worlds (including an apparent SF series) for a while, which can only be a good thing for the quality of his writing. Magician's End will be published in May 2013.


Meanwhile, Neil Gaiman's first full-length-novel-for-adults in eight years, The Ocean at the End of the Lane, will be published in June 2013. Cover blurbage:
“They say you cannot go home again, and that is as true as a knife . . .”

A man returns to his childhood village seeking comfort in memories of his youth and the friend who long ago transformed his life.

Once upon a time in a rural English town, an eleven-year-old girl named Lettie Hempstock shows a little boy the most marvelous, dangerous, and outrageous things beyond his darkest imagination. But an ancient power has been disturbed, and now invasive creatures from beyond the known world are set loose. There is primal horror here, and menace unleashed—within the boy’s family and from the forces that have gathered to consume it.

Determined to have their way, these otherworldly beings will destroy a meddling little boy if he dares to get in the way. It will take calm, courage, and the cleverness of the extraordinary Hempstock women—Lettie, her mother, and her grandmother, to keep him alive. But his survival will come at an unexpected cost. . . .

Storytelling genius Neil Gaiman delivers a whimsical, imaginative, bittersweet, and at times deeply scary modern fantasy about fear, love, magic, sacrifice, and the power of stories to reveal and to protect us from the darkness inside—a moving, terrifying, and elegiac fable for every age.